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  • 8/10/2019 Il '500 nei Paesi Bassi

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    Dutch and Flemish Renaissance painting

    The Fall of Icarus, now considered a copy of

    Pieter Bruegel the Elder

    Hell, the right panel from the triptych

    The Garden of Earthly Delightsby

    Hieronymus Bosch

    From Wikipedia, the free encyclopedia

    For fifteenth century Dutch and Flemish painting, see Early Netherlandish painting.

    Dutch and Flemish Renaissance paintingrepresents the 16th century

    response to Italian Renaissance artin the Low Countries. These artists,

    who span from theAntwerp Manneristsand Hieronymus Boschat the start

    of the 16th century to the late Northern Manneristssuch as Hendrik

    Goltziusand Joachim Wtewaelat the end, drew on both the recent

    innovations of Italian painting and the local traditions of the Early

    Netherlandish artists.Antwerpwas the most important artistic centre in the

    region. Many artists worked for European courts, including Bosch, whose

    fantastic painted images left a long legacy. Jan Mabuse, Maarten van

    Heemskerckand Frans Floriswere all instrumental in adopting Italian

    models and incorporating them into their own artistic language. Pieter

    Brueghel the Elder, with Bosch the only artist from the period to remainwidely familiar, may seem atypical, but in fact his many innovations drew on

    the fertile artistic scene in Antwerp.

    Dutch and Flemish painters were also instrumental in establishing new subjects such as landscape paintingand genre

    painting. Joachim Patinir, for example, played animportant role in developing landscape painting, inventing the compositional

    type of the world landscape, which was perfected by Pieter Bruegel the Elderwho, followed by Pieter Aertsen, also helped

    popularise genre painting. From the mid-century Pieter Aertsen, later followed by his nephew Joachim Beuckelaer,

    established a type of "monumental still life" featuring large spreads of food with genre figures, and in the background small

    religious of moral scenes. Like the world landscapes, these represented a typically "Mannerist inversion" of the normal

    decorum of thehierarchy of genres, giving the "lower" subject matter more space than the "higher".[1]Anthonis Morwas the

    leading portraitist of the mid-century, in demand in courts all over Europe for his reliable portraits in a style that combined

    Netherlandish precision with the lessons of Titianand other Italian painters.

    Contents [hide]

    1 Stylistic evolution

    2 Painters

    3 See also

    4 Notes

    5 References

    6 Further reading

    Stylistic evolution [edit]

    Italian Renaissanceinfluences begin to show on Early Netherlandish paintingaround

    1500, but in many ways the older style was remarkably persistent.Antwerp Mannerism

    is a term for painters showing some Italian influence, but mainly continuing the style

    and subjects of the older masters. Hieronymus Boschis a highly individual artist,

    whose work is strange and full of seemingly irrational imagery, making it difficult to

    interpret.[2]Most of all it seems surprisingly modern, introducing a world of dreams

    that seems more related to Gothic artthan the Italian Renaissance, although some

    Venetian prints of the same period show a comparable degree of fantasy. The

    Romanistswere the next phase of influence, adopting Italian styles in a far more

    thorough way.

    After 1550 the Flemish and Dutch painters begin to show more interest in nature and

    beauty "in itself", leading to a style that incorporates Renaissance elements, but

    remains far from the elegant lightness of Italian Renaissance art,[3]

    and directly leadsto the themes of the great Flemish and Dutch Baroquepainters: landscapes, still lifes

    and genre painting - scenes from everyday life.[2]

    This evolution is seen in the works of Joachim Patinirand Pieter Aertsen, but the true

    genius among these painters was Pieter Brueghel the Elder, well known for his

    depictions of nature and everyday life, showing a preference for the natural condition

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    Cornelis Aerentsz van der Dussen

    by Jan van Scorel (c.1535) Panel,

    Weiss Gallery, London

    History of Dutchand Flemishpainting

    Early Netherlandish (14001523)

    Renaissance painting (15201580)

    Northern Mannerism (15801615)

    Dutch "Golden Age" painting (16151702)

    Flemish Baroque painting (16081700)

    List of Dutch painters

    List of Flemish painters

    of man, choosing to depict the peasant instead of the prince.

    The Fall of Icarus(now in fact considered a copy of a Bruegel work), although highly

    atypical in many ways, combines several elements of Northern Renaissancepainting.

    It hints at the renewed interest for antiquity (the Icaruslegend), but the hero Icarus is

    hidden away in the background. The main actors in the painting are nature itself and,

    most prominently, the peasant, who does not even look up from his plough when

    Icarus falls. Brueghel shows man as an anti-hero, comical and sometimes

    grotesque.[3]

    Painters [edit]

    Pieter Aertsen

    Simon Bening

    Hieronymus Bosch

    Pieter Brueghel the Elder

    Pieter Brueghel the Younger

    Joachim Beuckelaer

    Joos van Cleve

    Pieter Coecke van Aelst

    Hieronymus Cock

    Corneille de Lyon

    Hans Eworth

    Frans Floris

    Maarten van Heemskerck

    Caterina van Hemessen

    Jan Sanders van Hemessen

    Adriaen Isenbrant

    Jan Mabuse van Gosaert

    Anthonis Mor

    Lucas van Leyden

    Lambert Lombard

    Quentin Matsys

    Jan Mostaert

    Bernard van Orley

    Joachim Patinir

    Frans Pourbus the Elder

    Pieter Pourbus

    Jan Provoost

    Marinus van Reymerswaele

    Jan van Scorel

    Levina Teerlinc

    Jacob van Utrecht

    See also [edit]

    Renaissance in the Netherlands

    Northern Renaissance

    Notes [edit]1. ^Snyder, 409-412, 432-445

    2. ^ abJanson, H.W.; Janson, Anthony F. (1997). History of Art (5th, rev. ed.). New York: Harry N. Abrams, Inc.ISBN0-8109-

    3442-6.

    3. ^ abHeughebaert, H.; Defoort, A., Van Der Donck, R. (1998). Artistieke opvoeding. Wommelgem, Belgium: Den Gulden Engel

    bvba. ISBN90-5035-222-7.

    References [edit]Snyder, James. Northern Renaissance Art, 1985, Harry N. Abrams, ISBN 0-13-623596-4

    Further reading [edit]

    Orenstein, Nadine M., ed. (2001). Pieter Bruegel the Elder: Drawings and Prints . The Metropolitan Museum of Art.

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